וְהָיָה בַּיּוֹם הַהוּא, בְּיוֹם בּוֹא גוֹג עַל-אַדְמַת יִשְׂרָאֵל--נְאֻם, אֲדֹנָי יְהוִה: תַּעֲלֶה חֲמָתִי, בְּאַפִּי
And it will come to pass on that day, when Gog comes against the land of Israel, declares the Lord God, that My blazing indignation will flame in My nostrils.
(Ezekiel 38:18)

Israel

Tribal land. Holy land. Who has a right to it? Whose temples open God‘s eye above it? Who names it? Who is telling its story, his story, in which language, and how? The trail of the dead in water and sand is a holy scripture, and war is the machine writing and reading it.

At our third stage we bump into past and current borders, border violations. Yes and No, Right and Wrong, Freedom and Force, High and Low Tech switch sides and drag us along. Stop, checkpoint, says GOG. Who here dares saying „we“?


By & with

Christopher Hotti Böhm (Multimedia), Hori Izhaki (Performance), Brandon Miller (Songs), Marina Dessau (Performance), Juri Rendler (Light), Moran Sanderovich (Artistic Design), Arne Vogelgesang (Performance/3D), Robert Wolf (Technical Lead/Light). Kerstin Böttcher (Public Relation), Nils Bröer (Photography), ehrliche arbeit – freies Kulturbüro (Production), Nora Gores (Press), Jules Marfaing (Stage Assistance), Oliver Szewc (Driver), Christin Striegler (Graphic Design), Johanna Werheid (Production Assistance).

A production by internil in cooperation with Theaterdiscounter Berlin. Funded by the German Federal Cultural Foundation/Doppelpass Fund and through Kofinanzierungsfonds des Regierenden Bürgermeisters von Berlin – Senatskanzlei – Kulturelle Angelegenheiten.